
My Rolleiflex 2.8 E2 with Zeiss Planar 2.8/80 lens, made in 1959.
My biggest passion isn’t actually fashion, it’s photography. I have a large collection of cameras including 3 vintage Rolleiflex Twin Lens Reflex cameras from the 1950s, and one of them is pictured above.
They all work perfectly and use 120 roll film, which believe it or not, you can still buy fairly easily in Shanghai. I use these mainly for street photography, not because of the texture of the emulsion or anything remotely pretentious like that, but simply because people are much less threatened by such an old antique and rarely look away when I point it at them. In fact, most people seem to be hypnotised by these cameras and look straight into the lens, which is perfect for street portraits where some kind of eye contact is desirable. It’s almost impossible to achieve this with a normal digital camera, especially in China where people seem very suspicious if you walk around with a camera and a long lens. I guess with these antiques, they probably think if I had more sinister motives, I wouldn’t bother using a 49 year old antique.

In the picture, I’m holding a Rolleicord Vb from around 1962. The Rolleicord was a cheaper range that was produced for enthusiasts rather than professionals, who couldn’t afford the cost of the Rolleiflex range. Rolleicords are made to the same high standards but the lenses were lower quality and the features were more limited than on the pro range.
These cameras get a lot of attention whenever I go out with them. People look in wonder, some ask me questions about it and while it takes up a lot of valuable picture taking time, I usually spend time to show them how it works and let them play around with it before continuing on my merry way.
As this is a blog about China, I’ve decided it’s completely relevant to show some of my street photos here on my blog, so here are a few to start the ball rolling.

Rolleiflex 3.5F, Kodak Tri-X 400 black and white film. Beijing, 29th October 2006. (Note the Tellytubbies on her trousers.)

Migrant workers waiting to return home at Shanghai Railway Station in late summer, 2006. Again, they seem very relaxed and not at all upset by my intrusion.

Elderly man sits outside his home on a chair that’s chained up (I assume) to prevent theft. Notice also the bricks under the chair legs to achieve that perfect angle for maximum comfort!



















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